Legendary "Tasks and Etudes" - the world's first periodic- a full-length book devoted to chess composition (1927-1930). In total, 8 collections were published, which for today have become a great bibliographic rarity. AT These editions are all combined into one book. Is not only first-class chess compositions and wonderful articles of leading masters of the past, not lost relevance and today. This - and fascinating excursion into the history of the USSR late 20-ies of the XX century. Alas, the publication was for short life - in 1930, one of its initiators, known chess composer L.B. Zalkind was arrested and convicted in the case of the Union Bureau of the Menshevik Party. Time mass terror has not yet come, and printed disappeared from the bookshelves of the socialist state. Under the general editorship of the world champion in the composition of Oleg Pervakov. For a wide range of chess lovers and chess players composition.

Legendary & laquo; Tasks and Etudes & raquo; & ndash; the world's first periodical devoted entirely to chess composition (1927 - 1930). A total of 8 collections were released, which today have become a great bibliographic rarity. In this edition, they are all combined into one book. These are not only first-class chess compositions and wonderful articles by leading masters of the past, which have not lost their relevance today. This is & ndash; and a fascinating excursion into the history of the USSR in the late 1920s. Alas, the publication was destined for a short life & ndash; in 1930, one of its initiators, the famous chess composer L.B. Zalkind was arrested and convicted in the case of the Union Bureau of the Menshevik Party. The time of mass terror has not come yet, and print media have already disappeared from the bookshelves of the socialist state. Under the general editorship of the world champion in composition Oleg Pervakov. For a wide range of lovers of chess and chess composition. This is an e-book, a link to which will be available in your account after payment.

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war) .

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war) .

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war) .

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war) .

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war).

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war) .

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war) .

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war) .

An attempt to revive the periodical for composers as a platform for the exchange of experience (Nos. 1-8 came out before the war)

An attempt to revive the periodical for composers as a platform for the exchange of experience (No. 1-8 came out before the war)